Our favorite, essential shift dress. The Georgia is one of the first styles I designed, and the pattern was drafted with universal fit in mind. The shoulder seam and sleeve without an armscye looks intentional on all shoulder breadths, the substantial cuff wings out and draws clean lines on any arm, and the just-above-the-knee length works for just about every body. Perfect on it's own, or my favorite way to wear it: over comfy, cropped pants.
This is the dress version of our Georgia Tee, which was influenced by effortless caftans from the '60s and '70s but with less material and more practicality in mind. I also drew on neat, crisp blouses from the '40s when women started wearing separates to work. Architectural drama and movement paired with structure and simplicity. A dress that can go anywhere and do just about anything.
It hits just above the knee, and the hem dips a bit longer in the back. You can lounge, explore a city, or sprint after a toddler in this dress. Serves as a dress, tunic, or coverup—it's up to you.
Cut from a beautifully textured crinkly linen gauze. It has inherent stretch so it hugs the body beautifully while still retaining drape. Organic and variegated in color and feel.